Quentin Jones – Circle Studies
Seeing in the round
Quentin has produced nine new circular pieces she calls Circle Studies, and describes as being part of ‘an ongoing series on containment – figures, faces, fragments, and the form itself’.
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Inspiring creativity. Founded by Olivia Triggs in 2007, Breed is a London-based illustration agency representing a select group of highly individual talents. We currently look after the work of 15 artists, illustrators and photographers, each with their own distinct style and perspective.
We pride ourselves on both the vision and variety of our artists and the lasting role we play in nurturing their talent, supporting their creative goals and finding opportunities where they can further explore their abilities.
With a hands-on approach, a culturally aware outlook and a spirited attitude, we’re the UK’s go-to agency for original art, photography and illustration.
We work with clients in spheres ranging from advertising and brands to fashion and retail and more. Below you can see a few of the names we’ve worked with in recent months.
Born in Toronto and raised in New York, Quentin Jones is a director, photographer and illustrator, who has worked with Chanel, Louis Vuitton and Smythson, and appeared in Vogue and i-D. Though that’s just scratching the surface of her success. She’s also directed videos, including one for adidas featuring Rita Ora, and has been named one of the 30 most influential people in fashion.
Her background combines academia and practical experience. After studying Philosophy at Cambridge, Quentin took an MA in Illustration at Central St Martins. She then spent some time as a model, which gave her genuine insights into how to give and get the best results on both sides of the lens.
At Breed, we work with Quentin on the illustration, art and animation side of her output, where her style often includes collage and montage, and takes inspiration from the surrealist tradition.
Quentin Jones – Circle Studies
Seeing in the round
Quentin has produced nine new circular pieces she calls Circle Studies, and describes as being part of ‘an ongoing series on containment – figures, faces, fragments, and the form itself’.